 |
|
The Kosher Gourmet by Megan Gordon With its colorful cache of purples and oranges and reds, COLLARD GREEN SLAW is a marvelous mood booster --- not to mention just downright delish
April 18, 2014
Rabbi Yonason Goldson: Clarifying one of the greatest philosophical conundrums in theology
John Ericson: Trying hard to be 'positive' but never succeeding? Blame Your Brain
The Kosher Gourmet by Julie Rothman Almondy, flourless torta del re (Italian king's cake), has royal roots, is simple to make, . . . but devour it because it's simply delicious
April 14, 2014
Rabbi Dr Naftali Brawer: Passover frees us from the tyranny of time
Eric Schulzke: First degree: How America really recovered from a murder epidemic
Georgia Lee: When love is not enough: Teaching your kids about the realities of adult relationships
Gordon Pape: How you can tell if your financial adviser is setting you up for potential ruin
Dana Dovey: Up to 500,000 people die each year from hepatitis C-related liver disease. New Treatment Has Over 90% Success Rate
Justin Caba: Eating Watermelon Can Help Control High Blood Pressure
April 11, 2014
Rabbi Hillel Goldberg: Silence is much more than golden
Susan Swann: How to value a child for who he is, not just what he does
Susan Scutti: A Simple Blood Test Might Soon Diagnose Cancer
Chris Weller: Have A Slow Metabolism? Let Science Speed It Up For You
April 9, 2014
Jonathan Tobin: Why Did Kerry Lie About Israeli Blame?
Samuel G. Freedman: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau
Jessica Ivins: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau
Matthew Mientka: How Beans, Peas, And Chickpeas Cleanse Bad Cholesterol and Lowers Risk of Heart Disease
April 8, 2014
Dana Dovey: Coffee Drinkers Rejoice! Your Cup Of Joe Can Prevent Death From Liver Disease
Chris Weller: Electric 'Thinking Cap' Puts Your Brain Power Into High Gear
April 4, 2014
Amy Peterson: A life of love: How to build lasting relationships with your children
John Ericson: Older Women: Save Your Heart, Prevent Stroke Don't Drink Diet
John Ericson: Why 50 million Americans will still have spring allergies after taking meds
Sarah Boesveld: Teacher keeps promise to mail thousands of former students letters written by their past selves
April 2, 2014
Dan Barry: Should South Carolina Jews be forced to maintain this chimney built by Germans serving the Nazis?
Frank Clayton: Get happy: 20 scientifically proven happiness activities
Susan Scutti: It's Genetic! Obesity and the 'Carb Breakdown' Gene
|
| |
Jewish World Review
Feb. 5, 2007
/ 17 Shevat 5767
Is Hollywood too timid for the War on Jihad?
By
Andrew Klavan
Thanks to political correctness, you don't see much about the greatest conflict of our time on the big screen
http://www.JewishWorldReview.com |
I recently attended "FBI 101," a G-man seminar for Hollywood writers. I do this kind of thing a lot: law enforcement seminars, ride-alongs, citizen academies and the like. It's a simple deal. The writers get information and research contacts; the lawdogs get a fighting chance at being portrayed realistically and maybe, on occasion, even sympathetically.
Now, in my case, the federales were preaching to the converted. Any agency with a record of battling gangsters, communists and dirty pols can show up as good guys in my work anytime. And never mind just their record. Since 9/11 — chastened by blunders from within and above — the FBI has reinvented itself as a thin gray line against Islamic terrorism. Pulling 16-hour days, volunteering for repeated tours of duty at FBI outposts in the Middle East, constantly aware that their failures will be remembered when their successes are forgotten, the G-people are clearly heroes.
But if they're hoping that their seminar will win them props from filmmakers in general — a picture or two celebrating their courageous work in the war on terror — I suspect they are going to be disappointed. In the history of our time as told by the movies, the war on terror largely does not exist.
Which is passing strange, you know. Because the war on terror is the history of our time. The outcome of our battle against the demographic, political and military upsurge of a hateful theology and its oppressive political vision will determine the fate of freedom in this century.
Television — more populist, hungrier for content and less dependent on foreign audiences — reflects this fact with shows such as "24" and "The Unit." But at the movies, all we're getting is home-front angst and the occasional "Syriana," in which "moderate" Islam is thwarted by evil American interests. But the notion that this war is about our moral failings is comfort fantasy, pure and simple. It soothes us with the false idea that, if we but mend ourselves, the scary people will leave us alone.
The real world is both darker than that and lighted brighter in places by surprising fires of nobility. It's darker because our enemies were not created by the peccadilloes of free people and will not melt away before a moral perfection that we, in any case, can never achieve. It's brighter because there are heroes like the FBI, the military and the cop on the corner who will give up everything, even their lives, to stop these madmen.
That kind of rousing story seems tailor-made for films. So why aren't they telling it? It's not just about left and right, blue and red; it really isn't. You don't have to like President Bush or support our efforts in Iraq to understand the threat of conspirators plotting to kill your children in the name of jihad.
In all fairness, moviemakers have a legitimately baffling problem with the nature of the war itself. In order to honestly dramatize the simple truth about this existential struggle, you have to depict right-minded Americans — some of whom may be white and male and Christian — hunting down and killing dark-skinned villains of a false and wicked creed. That's what's happening, on a good day anyway, so that's what you'd have to show.
Moviemakers are reluctant to do that because, even though it's the truth, on screen it might appear bigoted and jingoistic. You can call that political correctness or multiculturalism gone mad — and sure, there's a lot of that going around. But despite what you might have heard, there are sensible, patriotic people in the movie business too. And even they, I suspect, falter before the prospect of presenting such a scenario.
We cherish the religious tolerance of our society, after all. Plus, we're less than a lifetime away from Jim Crow and, decent people that we are, we're rightly humbled by the moral failures of our past. We've become uncomfortable to the point of paralysis when reality draws the limits of tolerance and survival demands pride in our traditions and ferocity in their defense. We can show homegrown terrorists in, say, "Deja Vu" or real-life ones, as in "United 93," but we can't bring ourselves to fictionalize the larger idea: Islamo-fascism is an evil and American liberty a good.
Which is a shame. It's a shame for so powerful an art form to become irrelevant because we can't find a way to dramatize the central event of our time. It's a shame that we live under the tireless protection of lawmen and warriors and don't pay tribute to them. And purely in artistic terms, it's a shame that so many great stories are just waiting to be told and we're not telling them.
But thanks, anyway, to the men and women of the FBI, for the seminar and, oh yeah, for trying to keep me alive and free. You truly have my gratitude. Just don't expect to see it at the movies.
Every weekday JewishWorldReview.com publishes inspiring articles. Sign up for our daily update. It's free. Just click here.
Comment by clicking here.
Andrew Klavan's most recent novel is "Damnation Street".
© 2007, ANDREW KLAVAN
|
