In this issue
April 9, 2014

Jonathan Tobin: Why Did Kerry Lie About Israeli Blame?

Samuel G. Freedman: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau

Jessica Ivins: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau

Kim Giles: Asking for help is not weakness

Kathy Kristof and Barbara Hoch Marcus: 7 Great Growth Israeli Stocks

Matthew Mientka: How Beans, Peas, And Chickpeas Cleanse Bad Cholesterol and Lowers Risk of Heart Disease

Sabrina Bachai: 5 At-Home Treatments For Headaches

The Kosher Gourmet by Daniel Neman Have yourself a matzo ball: The secrets bubby never told you and recipes she could have never imagined

April 8, 2014

Lori Nawyn: At Your Wit's End and Back: Finding Peace

Susan B. Garland and Rachel L. Sheedy: Strategies Married Couples Can Use to Boost Benefits

David Muhlbaum: Smart Tax Deductions Non-Itemizers Can Claim

Jill Weisenberger, M.S., R.D.N., C.D.E : Before You Lose Your Mental Edge

Dana Dovey: Coffee Drinkers Rejoice! Your Cup Of Joe Can Prevent Death From Liver Disease

Chris Weller: Electric 'Thinking Cap' Puts Your Brain Power Into High Gear

The Kosher Gourmet by Marlene Parrish A gift of hazelnuts keeps giving --- for a variety of nutty recipes: Entree, side, soup, dessert

April 4, 2014

Rabbi David Gutterman: The Word for Nothing Means Everything

Charles Krauthammer: Kerry's folly, Chapter 3

Amy Peterson: A life of love: How to build lasting relationships with your children

John Ericson: Older Women: Save Your Heart, Prevent Stroke Don't Drink Diet

John Ericson: Why 50 million Americans will still have spring allergies after taking meds

Cameron Huddleston: Best and Worst Buys of April 2014

Stacy Rapacon: Great Mutual Funds for Young Investors

Sarah Boesveld: Teacher keeps promise to mail thousands of former students letters written by their past selves

The Kosher Gourmet by Sharon Thompson Anyone can make a salad, you say. But can they make a great salad? (SECRETS, TESTED TECHNIQUES + 4 RECIPES, INCLUDING DRESSINGS)

April 2, 2014

Paul Greenberg: Death and joy in the spring

Dan Barry: Should South Carolina Jews be forced to maintain this chimney built by Germans serving the Nazis?

Mayra Bitsko: Save me! An alien took over my child's personality

Frank Clayton: Get happy: 20 scientifically proven happiness activities

Susan Scutti: It's Genetic! Obesity and the 'Carb Breakdown' Gene

Lecia Bushak: Why Hand Sanitizer May Actually Harm Your Health

Stacy Rapacon: Great Funds You Can Own for $500 or Less

Cameron Huddleston: 7 Ways to Save on Home Decor

The Kosher Gourmet by Steve Petusevsky Exploring ingredients as edible-stuffed containers (TWO RECIPES + TIPS & TECHINQUES)

Jewish World Review Nov. 19, 2003 /24 Mar-Cheshvan, 5764

An ambitious new project surveys the American Jewish musical experience

By Paul Wieder

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http://www.jewishworldreview.com | For things, there is the Smithsonian. For words, the Library of Congress.

And for Jewish music, now there is the Milken Archive.

Three hundred and fifty years worth of American Jewish music — dating back to the early 1700s — has been researched and catalogued by the Archive. More importantly to the public, Milken is having this music performed, recorded, and distributed.

The focus is not on the American-centered work of such Jewish composers as Leonard Bernstein, Irving Berlin and Carole King. Rather, it revolves around Americans' works about Jewish life.

These include songs performed in Hebrew, Yiddish, and Ladino, works based in Jewish prayer, scripture and history, and tunes composed for Jewish holidays and life-cycle events. The Archive's curators also included some not-very-Jewish songs that still employ Jewish melodies or styles.

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Naturally, the content of the pieces ranges widely. They encompass cantorial and choral melodies for the synagogue and concert hall… Yiddish vaudeville, radio and theater songs… pieces for classical-style ensembles and full orchestras… protest and Zionist songs… even prayers in jazz and rock arrangements.

Hundreds of musicians have been diligently recording these works for the Archive since 1990. And one need not be Jewish to apply; Dave Brubeck, the Julliard String Quartet, and the Vienna Boys Choir also perform these historic pieces.

The Archives' catalogue represents more than 200 composers, 91 of whom are living. Of the Archives' 600-plus works, fewer than 100 have been commercially released before, and almost a third had to be newly arranged for the project.

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The Milken Archives' first recordings were released this September. The first five discs center on the compositions of Kurt Weill and Mario Castelnuovo-Tedesco, with performers including local favorite Hazzan Alberto Mizrahi and klezmer clarinet virtuoso David Krakauer.

First, individual discs will be released, some 50 of these through the year 2005. Later, they will be reissued as multi-disc sets. The goal is to produce 20 of these sets, each on a different genre or theme, packaged with extensive compilations of notes, translations, and photos.

But the Archive is more than just a publishing house; it is an educational resource. It has videotaped more than a hundred interviews with Jewish composers, musicians, and actors. And it offers conferences, classes, and concerts.

Ultimately, the success of the project will be measured in the impact the Archive has on the American Jewish musical landscape. If all goes as planned, some of these almost-forgotten melodies will be coming soon to a synagogue near you.

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JWR contributor Paul Wieder is a public relations associate at the Jewish United Fund and a columnist for JUF News. Contact the author or the magazine by either clicking here, or calling (312) 444-2853.

© 2003, Paul Wieder