In this issue
April 9, 2014

Jonathan Tobin: Why Did Kerry Lie About Israeli Blame?

Samuel G. Freedman: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau

Jessica Ivins: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau

Kim Giles: Asking for help is not weakness

Kathy Kristof and Barbara Hoch Marcus: 7 Great Growth Israeli Stocks

Matthew Mientka: How Beans, Peas, And Chickpeas Cleanse Bad Cholesterol and Lowers Risk of Heart Disease

Sabrina Bachai: 5 At-Home Treatments For Headaches

The Kosher Gourmet by Daniel Neman Have yourself a matzo ball: The secrets bubby never told you and recipes she could have never imagined

April 8, 2014

Lori Nawyn: At Your Wit's End and Back: Finding Peace

Susan B. Garland and Rachel L. Sheedy: Strategies Married Couples Can Use to Boost Benefits

David Muhlbaum: Smart Tax Deductions Non-Itemizers Can Claim

Jill Weisenberger, M.S., R.D.N., C.D.E : Before You Lose Your Mental Edge

Dana Dovey: Coffee Drinkers Rejoice! Your Cup Of Joe Can Prevent Death From Liver Disease

Chris Weller: Electric 'Thinking Cap' Puts Your Brain Power Into High Gear

The Kosher Gourmet by Marlene Parrish A gift of hazelnuts keeps giving --- for a variety of nutty recipes: Entree, side, soup, dessert

April 4, 2014

Rabbi David Gutterman: The Word for Nothing Means Everything

Charles Krauthammer: Kerry's folly, Chapter 3

Amy Peterson: A life of love: How to build lasting relationships with your children

John Ericson: Older Women: Save Your Heart, Prevent Stroke Don't Drink Diet

John Ericson: Why 50 million Americans will still have spring allergies after taking meds

Cameron Huddleston: Best and Worst Buys of April 2014

Stacy Rapacon: Great Mutual Funds for Young Investors

Sarah Boesveld: Teacher keeps promise to mail thousands of former students letters written by their past selves

The Kosher Gourmet by Sharon Thompson Anyone can make a salad, you say. But can they make a great salad? (SECRETS, TESTED TECHNIQUES + 4 RECIPES, INCLUDING DRESSINGS)

April 2, 2014

Paul Greenberg: Death and joy in the spring

Dan Barry: Should South Carolina Jews be forced to maintain this chimney built by Germans serving the Nazis?

Mayra Bitsko: Save me! An alien took over my child's personality

Frank Clayton: Get happy: 20 scientifically proven happiness activities

Susan Scutti: It's Genetic! Obesity and the 'Carb Breakdown' Gene

Lecia Bushak: Why Hand Sanitizer May Actually Harm Your Health

Stacy Rapacon: Great Funds You Can Own for $500 or Less

Cameron Huddleston: 7 Ways to Save on Home Decor

The Kosher Gourmet by Steve Petusevsky Exploring ingredients as edible-stuffed containers (TWO RECIPES + TIPS & TECHINQUES)

Jewish World Review Dec. 23, 2009 / 6 Teves 5770

It's Still a Wonderful Life

By Paul Greenberg

http://www.JewishWorldReview.com | To many Americans, the Christmas season wouldn't be complete without at least a few scenes from "It's a Wonderful Life." The movie wasn't a box-office hit when it was released just after the Second World War, but it's acquired quite a following since — and even some critical acclaim.

Years ago I read a brief analysis of "It's a Wonderful Life" by a professor of American Studies at Boston University. To him, it showed that, while life can be "an enriching Norman Rockwell experience, it also can be smothering, where you end up marrying the girl you went to high school with, and you never get to go to Europe. … It tells us George is one of the most sad and lonely and tragic characters ever imagined. I cry when I see it."

Me, I cry for the professor. Not that I haven't shed a few tears myself while watching "It's a Wonderful Life" over the years. But not for the professor's reasons. To me, nothing in the movie seems as sad as the professor's analysis of it.

The movie makes marrying your high school sweetheart seem any number of things, including comedy, but never tragedy. Frank Capra's tearjerker is a celebration of the ordinary middle-class virtues, which are not nearly ordinary enough in these times.

George Bailey a tragic figure? Come on. Why, he's the richest man in town, as his brother says at the end of the movie. He makes Mr. Potter, the stock plutocrat in the story, look like a pauper. That's because George Bailey has loved and sacrificed and built and given and stood alone a time or two. That is, he has lived. He has not gone through life as a tourist.

Never getting to Europe does not strike me as the kind of experience that qualifies for tragedy, possibly because I grew up as the child of immigrants who were born in Europe — and they could scarcely think of a worse fate than having to return there. To them, not coming to America would have been the tragedy.

Surely only an American swimming in blessings would consider marrying your high school sweetheart, which is what I did, some kind of tragedy.

To me, the movie's message is that George Bailey's life has not been sad or lonely, let alone tragic. Even if George himself, played with all-American earnestness by Jimmy Stewart, might think so at his lowest, most self-pitying point.

Letter from JWR publisher

Can the professor, like so many Americans, have been using "tragic" as just a synonym for sad? Only a richly blessed people would confuse everything from fender-benders to bankruptcy a tragedy.

On these shores, tragedy in its original, legitimate Greek sense — that is, the inevitable fall of a noble character because of a fatal flaw, usually hubris — has an artificial air about it. While in Europe, where the classic concept of tragedy originated, it seems to come naturally.

If there is a moral to Frank Capra's movie, it may be the comment from Clarence, George's bumbling guardian angel: "Strange, isn't it? Each man's life touches so many other lives, and when he isn't around he leaves an awful hole to fill, doesn't he? … You see, George, you really had a wonderful life. Don't you see what a mistake it would be to throw it away?" There's a lot more Eugene Field in that comment than Sophocles.

The values of Bedford Falls are those our professional intellectuals are almost obliged to see through. Sometimes they are so busy seeing through those values that they don't see them at all. Or they confuse the happy with the sad, the lonely with the interconnected, and, strangest of all, the triumphant with the tragic. Just as George Bailey did — till his eyes are opened and the Happy Ending ensues.

Equally undiscerning are those who would idealize small towns; they don't see the potential Pottersville inside every Bedford Falls. Just one man, like George Bailey, can make the difference. Think of all those who make a difference in your town — and all those who don't.

The most unsettling aspect of the popularity of "It's a Wonderful Life" is the realization that nostalgia for certain values tends to set in just as they are disappearing. Happily, nostalgia can bring them back, too. We're free. We can choose how to live.

If the professor's view of George Bailey as a tragic figure struck me as sadder than anything in the movie, at least it wasn't tragic. It was more comic, this being America.

Paul Greenberg Archives

Every weekday JewishWorldReview.com publishes what many in the media and Washington consider "must-reading". Sign up for the daily JWR update. It's free. Just click here.

JWR contributor Paul Greenberg, editorial page editor of the Arkansas Democrat-Gazette, has won the Pulitzer Prize for editorial writing. Send your comments by clicking here.

© 2006 Tribune Media Services, Inc.