In this issue

Jonathan Tobin: Defending the Right to a Jewish State

Heather Hale: Compliment your kids without giving them big heads

Megan Shauri: 10 ways you are ruining your own happiness

Carolyn Bigda: 8 Best Dividend Stocks for 2015

Kiplinger's Personal Finance editors: 7 Things You Didn't Know About Paying Off Student Loans

Samantha Olson: The Crucial Mistake 55% Of Parents Are Making At Their Baby's Bedtime

Densie Well, Ph.D., R.D. Open your eyes to yellow vegetables

The Kosher Gourmet by Megan Gordon With its colorful cache of purples and oranges and reds, COLLARD GREEN SLAW is a marvelous mood booster --- not to mention just downright delish
April 18, 2014

Rabbi Yonason Goldson: Clarifying one of the greatest philosophical conundrums in theology

Caroline B. Glick: The disappearance of US will

Megan Wallgren: 10 things I've learned from my teenagers

Lizette Borreli: Green Tea Boosts Brain Power, May Help Treat Dementia

John Ericson: Trying hard to be 'positive' but never succeeding? Blame Your Brain

The Kosher Gourmet by Julie Rothman Almondy, flourless torta del re (Italian king's cake), has royal roots, is simple to make, . . . but devour it because it's simply delicious

April 14, 2014

Rabbi Dr Naftali Brawer: Passover frees us from the tyranny of time

Greg Crosby: Passing Over Religion

Eric Schulzke: First degree: How America really recovered from a murder epidemic

Georgia Lee: When love is not enough: Teaching your kids about the realities of adult relationships

Cameron Huddleston: Freebies for Your Lawn and Garden

Gordon Pape: How you can tell if your financial adviser is setting you up for potential ruin

Dana Dovey: Up to 500,000 people die each year from hepatitis C-related liver disease. New Treatment Has Over 90% Success Rate

Justin Caba: Eating Watermelon Can Help Control High Blood Pressure

The Kosher Gourmet by Joshua E. London and Lou Marmon Don't dare pass over these Pesach picks for Manischewitz!

April 11, 2014

Rabbi Hillel Goldberg: Silence is much more than golden

Caroline B. Glick: Forgetting freedom at Passover

Susan Swann: How to value a child for who he is, not just what he does

Cameron Huddleston: 7 Financial Tasks You Should Tackle Right Now

Sandra Block and Lisa Gerstner: How to Profit From Your Passion

Susan Scutti: A Simple Blood Test Might Soon Diagnose Cancer

Chris Weller: Have A Slow Metabolism? Let Science Speed It Up For You

The Kosher Gourmet by Diane Rossen Worthington Whitefish Terrine: A French take on gefilte fish

April 9, 2014

Jonathan Tobin: Why Did Kerry Lie About Israeli Blame?

Samuel G. Freedman: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau

Jessica Ivins: A resolution 70 years later for a father's unsettling legacy of ashes from Dachau

Kim Giles: Asking for help is not weakness

Kathy Kristof and Barbara Hoch Marcus: 7 Great Growth Israeli Stocks

Matthew Mientka: How Beans, Peas, And Chickpeas Cleanse Bad Cholesterol and Lowers Risk of Heart Disease

Sabrina Bachai: 5 At-Home Treatments For Headaches

The Kosher Gourmet by Daniel Neman Have yourself a matzo ball: The secrets bubby never told you and recipes she could have never imagined

April 8, 2014

Lori Nawyn: At Your Wit's End and Back: Finding Peace

Susan B. Garland and Rachel L. Sheedy: Strategies Married Couples Can Use to Boost Benefits

David Muhlbaum: Smart Tax Deductions Non-Itemizers Can Claim

Jill Weisenberger, M.S., R.D.N., C.D.E : Before You Lose Your Mental Edge

Dana Dovey: Coffee Drinkers Rejoice! Your Cup Of Joe Can Prevent Death From Liver Disease

Chris Weller: Electric 'Thinking Cap' Puts Your Brain Power Into High Gear

The Kosher Gourmet by Marlene Parrish A gift of hazelnuts keeps giving --- for a variety of nutty recipes: Entree, side, soup, dessert

April 4, 2014

Rabbi David Gutterman: The Word for Nothing Means Everything

Charles Krauthammer: Kerry's folly, Chapter 3

Amy Peterson: A life of love: How to build lasting relationships with your children

John Ericson: Older Women: Save Your Heart, Prevent Stroke Don't Drink Diet

John Ericson: Why 50 million Americans will still have spring allergies after taking meds

Cameron Huddleston: Best and Worst Buys of April 2014

Stacy Rapacon: Great Mutual Funds for Young Investors

Sarah Boesveld: Teacher keeps promise to mail thousands of former students letters written by their past selves

The Kosher Gourmet by Sharon Thompson Anyone can make a salad, you say. But can they make a great salad? (SECRETS, TESTED TECHNIQUES + 4 RECIPES, INCLUDING DRESSINGS)

April 2, 2014

Paul Greenberg: Death and joy in the spring

Dan Barry: Should South Carolina Jews be forced to maintain this chimney built by Germans serving the Nazis?

Mayra Bitsko: Save me! An alien took over my child's personality

Frank Clayton: Get happy: 20 scientifically proven happiness activities

Susan Scutti: It's Genetic! Obesity and the 'Carb Breakdown' Gene

Lecia Bushak: Why Hand Sanitizer May Actually Harm Your Health

Stacy Rapacon: Great Funds You Can Own for $500 or Less

Cameron Huddleston: 7 Ways to Save on Home Decor

The Kosher Gourmet by Steve Petusevsky Exploring ingredients as edible-stuffed containers (TWO RECIPES + TIPS & TECHINQUES)

Jewish World Review January 21, 2009 / 25 Teves 5769

Something waits beneath it...

By Paul Greenberg

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http://www.JewishWorldReview.com | "I prefer winter and fall, when you feel the bone structure of the landscape — the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show."
      —Andrew Wyeth

A cold Friday in January was the perfect day to die, at least for Andrew Wyeth at 91. It was the very depth of the season as a cold wave swept the country. What perfect timing for a man who luxuriated in solitude. The artist was never much for company, which made him suspect in America, the land of togetherness. To be certifiably American, you must be smiling, preferably in the company of other smiling faces. Happiness, or at least the appearance thereof, is mandatory.

People who need people are the luckiest pee-e-eple in the world!

In this entirely too open society, a citizen is expected not only to believe but broadcast those beliefs. For your beliefs will never impress others unless they are displayed, and what else are beliefs good for? To validate your existence, they need to be regularly spit-shined, polished and rolled out, preferably in a portentous Edward R. Murrow voice:

THIS I Believe.... Not to broadcast your beliefs is to be selfish, antisocial, a miser with your emotions. You must Share Your Feelings. It's good for you. All the advice columnists say so. What's not permitted is to be alone with your thoughts. It is assumed — which is the most effective form of being decreed — that one cannot be happy alone. It's considered almost a law of physics.

What a solitary joy to see that law violated by the life and work of Andrew Newell Wyeth (1917-2009). Maybe that's why his windswept "Christina's World" became an — there's no avoiding the word — iconic American painting. Along with Edward Hopper's "Nighthawks," another study in aloneness.

Was Wyeth a kind of rural Hopper, or Hopper an urban Wyeth, and does it matter? Both painted solitude, exulted in it. Both were abstractionists who were dubbed realists....

But I can feel myself slipping into artspeak, and that way lies nothing good. Wyeth's paintings may appeal to many of us, but he'll never be fashionable. Even his poor fizzle of a scandal — the Helga pictures — wasn't much of one, just something for the Art World to talk about in a slow season.

Wyeth was right about the seasons. Fall is so much more satisfying than spring, just as endings are more instructive than beginnings. Better to go to the house of mourning than the house of joy, an ancient sage counseled. The undeniable isn't as easy to deny when leaves fall and the stark limbs stretch heavenward. Yeats said it: Things reveal themselves passing away.

And now Andrew Wyeth has passed. Yet he lingers. As in one of those portraits he used to paint of subjects who aren't there, yet very much are. As he put it, "I think a person permeates a spot...." The country is a little like that now without Andrew Wyeth; his presence permeates. And if it fades, it will be like the after-life of a Thomas Eakins or Winslow Homer through their works.

Neither the critics nor his fellow artists much approved of Wyeth. "In the art world today," he said back in 1965, "I'm so conservative I'm radical. Most painters don't care for me. I'm strange to them."

He only grew more isolated in refined circles, not that he minded. But he spoke to the American people. Charles Schulz, the cartoonist of "Peanuts" fame, was a fan. So was Mister Rogers. (When Snoopy's prized Van Gogh is lost in a fire, he replaces it with a Wyeth, and a Wyeth adorned the entryway to Fred Rogers' studio.)

The sophisticated may have dismissed Wyeth, much as linguists dismiss grammarians, or maybe literature in general. His works are insufficiently abstract, unforgivably intelligible, and entirely too popular. As if he had a door to our unconscious. He speaks to too many of us, even if only to reinforce our aloneness.

I've got a fine reproduction of "Christina's World" at home. I haven't seen it since circa 1962, when I bought it on a whim/intimation in New York, and mailed it ahead to Pine Bluff, Ark., where I was moving for a while. How was I to know I'd wind up staying there for the next 30 years or so?

Over the many years since, I've never got around to opening the rolled carton with the picture inside. Now I hesitate to. It's become a kind of talisman glowing in the dark, a genie I don't dare release from the bottle, such is the power of the dream picture.

What will Christina find when she finally crawls her way to the old house at the top of the hill? Sanctuary, surcease, illumination, all of the above? The Angel of Death welcoming her and by then welcomed? Will she finally know as she is known, as Paul says in Corinthians?

I don't know, not now. But for all these years it's been comforting to know that the picture is still there in the dark, beneath the stairs. The knowledge assures, like the thought of somebody waiting at home. The plain brown wrapper remains intact, the old postmark scarcely legible now, but like so much of Andrew Wyeth's work, the picture inside never fades in the mind's eye.

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