May 24, 2013
May 22, 2013
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May 20, 2013
Richard A. Serrano: Is Meir Kahane's assassin now a changed man?
Genetic copies of living people from embryos no longer science fiction
Jewz in the Newz by Nate Bloom :
The Kosher Gourmet by Cathy Pollak:
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May 13, 2013
Rabbi Nathan Lopes Cardozo: Why the giving of the document that would permanently change the world could only be done in desolation
David G. Savage:
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May 10, 2013
Rabbi Berel Wein: Be all that you should be
May 8, 2013
Peter Ford: Why China is welcoming both Israel's Netanyahu and Palestinians' Abbas
Obama administration quietly backs out of appeal over new contraceptive mandate
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May 6, 2013
May 3, 2013
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April 29, 2013
Poland's new Jewish museum celebrates life, doesn't revisit Holocaust
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April 26, 2013
Clifford D. May:
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April 24, 2013
Jewish World Review
March 27, 2009
2 Nisan 5769
Obama's indelicate exposure
Like the beat beat beat of the tom-tom, like the tick tick tock of the
clock, like the drip drip drip of the raindrops, a voice within me keeps
repeating, Obama Obama Obama.
With all due apologies to the author, Cole Porter's lyrics of "Night and
Day" make a point lost on the president. No matter where he is, the Oval
Office or Jay Leno's studio set, addressing Congress or holding up
traffic in a motorcade on his way to a PTA meeting, the president is not
an ordinary citizen. Like it or not, those days are behind him. The
private man and the public man become as one in a president. What he
does, says, or doesn't say or doesn't do, he does it before an audience.
Obama goes out of his way to seek a celebrity's attention, and he's
still in his first hundred days. When he makes an off-hand jest about
his bowling score and the Special Olympics the sort of tasteless
attempt at dark humor that anyone might make within a tight circle of
good friends the whole world hears it, and the pundits can't wait to
leap. We should all "lighten up," but if a president can't resist going
on television to banter with a comedian, he ought to leave the comedy to
the comedian, who gets paid for sarcasm and irony.
It's a shame that the eye of the camera tempts presidents to try to be
the entertainer in chief. Michelle might emulate Bess Truman after Harry
couldn't resist playing the piano with Lauren Bacall in fetching repose
atop the upright. Mr. Truman, on a night out at the National Press Club,
was only doing what any red-blooded man might, but Bess was not amused.
She told him it simply wasn't dignified, that he was definitely not to
"play it again, Harry."
Dignity, of course, isn't what it used to be. Indeed, the concept seems
faintly quaint in an era when almost anything goes. As comfortable as
the president may look on the CBS show "60 Minutes," with Jay Leno or in
a primetime press conference, he's spending valuable emotional and
intellectual capital with the relentless exposure in the modern media.
Confident and cool, he's nevertheless beginning to look a lot like a man
afflicted with the hubris of show biz.
Since the campaign ended, the stakes have changed. He has yet to
understand the lesson learned by Steven Chu, his secretary of energy.
Asked what he likes least about his new job, he replied: "The fact that
I'm constantly being told that I have to be careful what I say to the
press and in public. I can't speculate out loud anymore. Everything I
say is taken with total seriousness."
Even laughter can be suspect. Steve Croft, the president's interviewer
on "60 Minutes," suggested the president might be "punch drunk" when he
chuckled aloud in discussing the crash of the economy. "Gallows humor,"
the president later called it. But that doesn't work for a president,
whether hot or cool. Most of us didn't expect Bill Clinton to feel our
pain, and we don't expect Barack Obama to laugh at it.
None of this will matter much if, as he suggested it would in his press
conference this week, the economic crisis soon eases. He'll get the
credit, and that's how it should be. But there should be a bright line
between behaving as the commander in chief and entertaining as a
celebrity in chief.
The history of Washington and Hollywood eager to trade places is a long
one. Politicians and entertainers imagine themselves as stars in the
same galaxy. Bette Davis and Humphrey Bogart campaigned for FDR, to the
dismay of studio executives (that, too, seems quaint today). JFK enjoyed
the company of Marilyn Monroe and was pals with Frank Sinatra (who later
liked to hang out with the Reagans). Barbra Streisand sometimes slept at
the White House (in the Lincoln Bedroom, of course) during the Clinton
Said Gerald Ford, in another context, "If Lincoln were alive today, he'd
be spinning in his grave." Lauren Bacall understood the "natural
attraction" between Washington and Hollywood. "They have access to real
power, and we sing, dance and act."
The modern president crosses that bright line between statecraft and
stagecraft at his peril. Obama would do well to remember that statecraft
is what we elected him to manage. He should leave the barbs and yuks to
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