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Jewish World Review Dec. 29, 1998 / 10 Teves, 5759
The Prince of Hollywood
By Rabbi Yaakov Menken
'TIS THE SEASON in which serious Christians have long watched as others
bled a hallowed day of its spiritual essence.
Now, thanks to The Prince of Egypt, the rest of us know how they feel.
The well-intentioned folks at DreamWorks, having met Hercules in previous
artistic efforts, were apparently nonplussed by the Herculean task of
finding a Moses that would offend no one. To their credit, they invited
Jewish, Christian, and Moslem representatives to insure that no one's
tradition would be trampled upon. And while these faiths overlap
considerably, only Pinocchio could argue that these traditions coincide in
their approach to any part of the Bible. So DreamWorks accomplished no
small feat by avoiding stepping on some very diverse toes.
Ironically, however, Christians, Moslems and Jews all wound up equal losers
in the process. They all paid an enormous price for a sanitized,
non-offensive Moses. To please everyone, Moses was reduced into a
prehistoric precursor of the modern national-liberation agitator. True, he
seems a good deal more polite and humane than some of his twentieth century
counterparts, but he emerged, shall we say, spiritually challenged. The
Moses of the film may be courageous and good, but he is not godly.
The Prince of Egypt is a very different Moses than the one we were taught
about. The Biblical Moses had G-dliness at the center of his being, and he
demonstrated the ways in which closeness to G-d makes a difference in the
quality of our behavior.
We read in the Bible that Moses was no jingoistic champion of his own
people. True, he killed the Egyptian taskmaster who oppressed his brethren.
But the very next narrative puts this incident in perspective. He chances
upon a few women he has never met, who are being terrorized by some
obnoxious and stronger shepherds. Moses rushes to the defense of these
women as well, oblivious to his precarious position as a refugee in a
strange land. Moses had a knee-jerk aversion to injustice - no matter whom
it affected. And while the rest of us might simply note our displeasure
from the sidelines, Moses was moved to take action.
The list goes on. The real Moses was a soul on fire. Given his opportunity
to rub the magic lamp, to ask one thing from his Creator at a propitious
moment, he does not seek more glory, or to found a personal dynasty. He
asks, instead, to "see Your Glory"; to understand G-d more fully. While he
leads and defends his beloved flock with passion, he is just as excited in
chastising them when they are wrong. Once again, the Truth that he senses
in G-d animates his battle for freedom far more than the need to throw off
the yoke of Egyptian servitude.
What made the difference was his closeness with the Divine, and therefore
DreamWorks has robbed Moses of his strength. As surely as a shorn Samson
cannot fight the Philistines, a Moses without his G-d could never have
stood up to the wicked Pharaoh.
To make Moses more attractive, the film took major liberties with the
original story, calling upon Hollywood's tradition of improving on the
truth. Thus the eighty-year-old redeemer of Israel easily has a
half-century removed from his age, and additional tissue placed on his
cheek bones. One could almost hear them asking: what 90s audience would go
for an aged action hero? Similarly, DreamWorks' Prince of Egypt speaks
clearly and forcefully, unlike the original Moses who suffered from a
severe speech impediment. Halting speech does not a leading man make in
Tinseltown. The producers seem to have forgotten that this classic, with
all its improbabilities, has managed to stay on top of the charts for over
three millennia. Perhaps people really want to hear that when the message
is one of Divine Truth, it will be heard -- regardless of the rhetorical
abilities of the messenger.
And how did Moses, the most able and successful leader, regard himself? The
Bible says that he was the single most humble human being to walk the face
of the earth. Success need not ruin character or breed arrogance, the
traditional Moses tells us. To the contrary, the more insight one has about
himself, the smaller one looks, compared to the majesty of the G-d he loves.
So now, we of other religions understand how disturbing it must be to
deeply involved Christians to see "Merry Christmas" transformed into
"Seasons Greetings." While the latter slogan does so much to include
everyone into a spirit of joy and well-wishing, it must fall hopelessly
short of expressing deeper yearnings and a more profound spiritual
connection.
The great lessons of the Exodus do not end at political liberation and
justice for all; any honest reading of the Biblical narrative indicates
that freedom from the oppression of Egypt was only a means to an end -
namely, the Covenant forged with G-d at Sinai and the subsequent
establishment of a Holy Nation, dedicated to continuing the mission of
Abraham: Teaching the "path of G-d, doing righteousness and justice" to the
entire world.
In an age starved for heroes who can touch our souls, the traditional Moses
is someone we need more than an ancient Mahatma Gandhi or Che Guevara. We
deserved to receive a more uplifting gift to unwrap -- be that for
Christmas, Ramadan, or
Rabbi Yaakov Menken is director of Project Genesis.