 |
|
February 8, 2012
Warren Richey: Why momentous Prop. 8 ruling might not satisfy gay-rights groups
Menachem Wecker: Though Controversial, LL.M.'s Can Lead to Specialized Legal Jobs
The Kosher Gourmet byDana Velden: Going to the bother of making soup? You know it better be good. This CREAM OF TOMATO SOUP certainly is! And it's a cinch to make, too (Includes techinques and serving secrets)
February 7, 2012
Frank J. Gaffney, Jr.: Caught off-guard? President's Super Bowl interview with Matt Lauer gives those who need a reason not to vote for him, a darn good one
Suzanne Bohan: Leaping lizards! Tiny reptiles advancing robot design
February 6, 2012
Jonathan Tobin: Iran Threatens Israel With Destruction, But the New York Times Doesn't Hear It
Jeffrey Fleishman: In newly democratic Egypt, tens of democracy activists jailed, to stand trial; their groups are 'threatening the stability of the homeland'
Julie Deardorff : Researchers say antioxidants may not be that effective and could do more harm than good
Mark Clayton: How did Anonymous hackers eavesdrop on FBI and Scotland Yard?
February 3, 2012
Edmund Sanders : Israeli official says Iran is creating missile that could reach East Coast of US
Victoria Kim: Immigrant-smuggling ring used black drivers to avoid racial profiling
February 2, 2012
Jim Carney: Wrong number call may have saved her life
Reza Kahlili : Ex-CIA spy in Iran's Revolutionary Guard: What Obama doesn't grasp about striking deals with Tehran
Tina Susman: For woodchuck rescuer, every day is Groundhog Day
February 1, 2012
Brian Bennett: US officials see increasing threat of domestic attack from Iran
Emily Brandon: How to Take Advantage of New 401(k) Fee Disclosures
January 31, 2012
January 30, 2012
Paul Richter and Ramin Mostaghim: Misreading Teheran's limits -- deadly and economically devastating as they may be -- is a risk administration, Europe seem willing to take
Suzanne Bohan: Warning: Nap-deprived tots missing more than sleep, study finds
Meg Handley: Banks Revamping Rewards Programs to Woo Customers
January 27, 2012
Caroline B. Glick: Obama: Of course I intend to prevent a nuclear holocaust . . . in a few months
Yochonon Donn: In liberal New York City, fervently-Orthodox Jews may soon be getting a district to call their own
Jeannine Stein: An inflated ego and thinking you're 'all that' doesn't just make others sick of you, it can make you ill
Katy Hopkins: New budget rules may affect how much money you get for college
January 26, 2012
Ed Koch: To the New York Times, calling for the murder of Jews by those capable of having their incitement taken seriously isn't news
Jeannine Stein: Mental illness struck one in five U.S. adults in 2010: Report
January 25, 2012
Richard Simon: House passes two bills endorsing the use of religious symbols at military memorials
Fred Weir: Putin: Multiethnic Russia cannot survive as a US-style 'melting pot'; must find its own way
Susan Johnston: 5 Sneaky Coupon Strategies Consumers Should Watch Out For
January 24, 2012
Carol Clark: The price of your soul: How your brain decides whether to 'sell out'
Caroline B. Glick: America lost most in 'Arab Spring'. Sadly, many voters still don't grasp the extent
Warren Richey: Drug criminal scores win in GPS ruling from conservative-leaning high court
Erika Bolstad: Black conservatives gather to talk about gaining strength
January 23, 2012
Melissa Dribben: Jewish voters to play a key role in Florida's Republican primary
Jordan Rau: In quest to grow, Catholic hospital system will announce this morning its break from church
Ali Safi: U.S. envoy gives Taliban terms for peace talks
January 19, 2012
January 18, 2012
January 17, 2012
Frank J. Gaffney Jr.: No-kidding red lines: U.S. response to an Iranian nuke may be bluster, but Israel's won't be
David G. Savage: They sued their principals after slandering them online --- now the cases are headed to the Supreme Court
David Francis: Where to Invest in 2012: With stocks expected to rebound, opportunity abounds for investors
January 13, 2012
Ben Lynfield: Israeli lawmakers move to annex Jewish Judea, one museum at a time
Alexia Elejalde-Ruiz: Thriving through touch: Gentle massage helps older people with low mobility improve in mind and body
January 12, 2012
Warren Richey: Landmark Supreme Court ruling a 'resounding win' for religious groups
Warren Richey: Supreme Court says no to new rule on eyewitness testimony
John Fauber : Statins found to raise diabetes risk in postmenopausal women
Katy Hopkins : Consider This Before You Pay for an Online Degree
The Kosher Gourmet by Joseph Erdos: This mushroom and barley soup has an intense -- almost nutty -- flavor that mixes robust with Middle East. It has creaminess without cream
January 11, 2012
Shari Roan: Millions of atrial fibrillation sufferers at risk for devastating, but preventable, stroke
Tom Hussain: Pakistan -- recipient of more than $21 billion in civilian and military aid -- speeds pursuit of Iranian pipeline, defying US
David G. Savage: High court signals it won't be loosening TV's 'indecency' rules
Stephen Ceasar: Oklahoma's Islamic law amendment can't go into effect, court rules
January 10, 2012
Reza Kahlili: From an ex-CIA spy: US must exploit new split in Iran's Revolutionary Guard
Karen Kaplan: Study: Nicotine replacement products ineffective when used in real-life situations
January 9, 2012
Michael Doyle: Put through legal hell over dream home, couple fought back hard --- all the way to Supreme Court
|
| |
Jewish World Review
Dec. 12, 2005
/ 11 Kislev, 5766
The case against Munich
By
Leon Wieseltier
http://www.JewishWorldReview.com |
A few days before I read in Time that Steven Spielberg's new movie is so significant that there had been no advance screenings of it, I went to an advance screening of it.
The fakery is everywhere, isn't it, though in this instance it nicely captures the self-importance of this pseudo-controversial film. The makers of Munich seem to think that it is itself an intervention in the historical conflict that it portrays. For this reason, perhaps, they have devised a movie that wishes to be shocking and inoffensive at the same time. It tells the story of the Israeli retaliation for the massacre at the Munich Olympics in 1972 — specifically, of the nasty adventures of a team of five Israelis that is dispatched to Europe to destroy eleven Palestinians.
The film is powerful, in the hollow way that many of Spielberg's films are powerful. He is a master of vacant intensities, of slick searings. Whatever the theme, he must ravish the viewer. Munich is aesthetically no different from War of the Worlds, and never mind that one treats questions of ethical and historical consequence and the other is stupid. Spielberg knows how to overwhelm. But I am tired of being overwhelmed. Why should I admire somebody for his ability to manipulate me? In other realms of life, this talent is known as demagoguery. There are better reasons to turn to art, better reasons to go to the movies, than to be blown away.
The real surprise of Munich is how tedious it is. For long stretches it feels like The Untouchables with eleven Capones. But its tedium is finally owed to the fact that, for all its vanity about its own courage, the film is afraid of itself. It is soaked in the sweat of its idea of evenhandedness. Palestinians murder, Israelis murder. Palestinians show evidence of a conscience, Israelis show evidence of a conscience. Palestinians suppress their scruples, Israelis suppress their scruples. Palestinians make little speeches about home and blood and soil, Israelis make little speeches about home and blood and soil. Palestinians kill innocents, Israelis kill innocents.
All these analogies begin to look ominously like the sin of equivalence, and so it is worth pointing out that the death of innocents was an Israeli mistake but a Palestinian objective. (I am referring only to the war between the terrorists and the counterterrorists. The larger picture is darker. Over the years more civilians were killed in Israeli air strikes than in the Palestinian atrocities that provoked those air strikes. The justice of Israel's defense of itself should not be confused with the rightness of everything that it does in self-defense.) No doubt Munich will be admired for its mechanical symmetries, which will be called complexity. But this is not complexity, it is strategy. I mean of the marketing kind: I note that the filmmakers have nervously retained the distinguished services of Dennis Ross to guide the film through the excitable community of people who know about its subject. Munich is desperate not to be charged with a point of view. It is animated by a sense of tragedy and a dream of peace, which all good people share, but which in Hollywood is regarded as a dissent, and also as a point of view. Its glossy caution almost made me think a kind thought about Oliver Stone. For the only side that Steven Spielberg ever takes is the side of the movies.
The screenplay is substantially the work of Tony Kushner, whose hand is easily recognizable in the crudely schematic quality of the drama, and also in something more. The film has no place in its heart for Israel. I do not mean that it wishes Israel ill; not at all. But it cannot imagine any reason for Israel beyond the harshness of the world to the Jews. "The world has been rough with you," the oracular gourmand godfather of an underground anarchist family, a ludicrous character plummily played by Michael Lonsdale, tells Avner Kauffman, the Israeli team leader. "It is right to respond roughly to such treatment." Avner's mother, whose family was destroyed by the Nazis, preaches this about the Jewish state: "We had to take this, because no one was going to give it to us. Whatever it took, whatever it takes." Zionism, in this film, is just anti-anti-Semitism. The necessity of the Jewish state is acknowledged, but necessity is a very weak form of legitimacy.
There are two kinds of Israelis in Munich : cruel Israelis with remorse and cruel Israelis without remorse. One of the Israeli killers recalls a midrash about G-d's compassion for the Egyptians drowning in the Red Sea, and keeps on killing. Another one of the Israeli killers protests that "Jews don't do wrong because our enemies do wrong. ... We're supposed to be righteous," and keeps on killing.
All this is consistent with Tony Kushner's view that Zionism, as he told Ori Nir of Haaretz last year, was "not the right answer," and that the creation of Israel was "a mistake," and that "establishing a state means f---ing people over." (If he really seeks to understand Middle Eastern terrorism, he might ponder the extent to which statelessness, too, can mean f---ing people over.) When Avner's reckoning with his deeds takes him to the verge of a breakdown, he joins his wife and child in Brooklyn and refuses to return to Israel, as if decency is impossible there. No, Kushner is not an anti-Semite, nor a self-hating Jew, nor any of those other insults that burnish his notion of himself as an American Jewish dissident (he is one of those people who never speaks, but only speaks out). He is just a perfectly doctrinaire progressive. And the progressive Jewish playwright Tony Kushner's image of Israel oddly brings to mind the reactionary Jewish playwright David Mamet's image of Israel: For both of them, its essence is power.
The Israeli response to Black September marked the birth of contemporary counterterrorism, and it is difficult not to see Munich as a parable of American policy since September 11. "Every civilization finds it necessary to negotiate compromises with its own values," Golda Meir grimly concludes early in the film. Yet the film proclaims that terrorists and counterterrorists are alike. "When we learn to act like them, we will defeat them!" declares one of Avner's men, played by Daniel Craig, already with a license to kill. Worse, Munich prefers a discussion of counterterrorism to a discussion of terrorism; or it thinks that they are the same discussion. This is an opinion that only people who are not responsible for the safety of other people can hold.
Every weekday JewishWorldReview.com publishes what many in Washington and in the media consider "must reading." Sign up for the daily JWR update. It's free. Just click here.
Leon Wieseltier is the literary editor of The New Republic. Click here to comment on this column.
© 2005, The New Republic
|
