Nov, 19, 2008 The Jewish Ethicist by Rabbi Dr. Asher Meir : Spread the wealth? Jewish tradition and income equality Elliot B. Gertel: 'Mad Men': Tackling prejudices or reinforcing them? Nov, 18, 2008 Dr. Debby Schwarz Hirschhorn: The End of the Age of Reason Jonathan Tobin: Does Barack + Bibi = Disaster? Nov, 17, 2008 Rabbi Yonason Goldson: The End of the Age of Reason Diana West: Gulling Americans into making terror legit? Nov, 14, 2008 Rabbi A. Henach Leibowitz: The Power of Spiritual Inertia Caroline B. Glick: The perils ahead Nov, 13, 2008 Stratfor Intelligence Briefing: How Bush and Obama together could change the Middle East dynamic The Kosher Gourmet by JeanMarie Brownson: Sweet and savory, crispy and meltingly tender bestilla Nov, 12, 2008 The Jewish Ethicist by Rabbi Dr. Asher Meir : Tyrannical Co-Workers Michael Doyle: High Court to consider today donated monuments that may have religious messages in public parks Nov, 11, 2008 Frank J. Gaffney, Jr.: Will Obama stop government officials considering institutionalizing financial jihad? Jonathan Tobin: They Will Decide Their Own Fate Nov, 10, 2008 Rabbi Avi Shafran: $8 billion, modern-day Tower of Babel being built? Barry Rubin: A letter to the president-elect from a Middle East realist Nov, 7, 2008 Rabbi Francis Nataf: Of Children and Immortality Caroline B. Glick: Livni's Obama strategy Nov, 6, 2008 Rabbi Yonason Goldson: How I tricked a classroom of apathetic students into grasping the fallacy of moral relativism The Kosher Gourmet By Gina Kim: Tips for making the perfect soup --- includes recipes Nov, 5, 2008 The Jewish Ethicist By Rabbi Dr. Asher Meir: Destitute Debtors Bruce Weinstein: 'Religulos': Bad title,even worse movie Nov, 4, 2008 Frank J. Gaffney, Jr.: Treasury Dept. submits to Shariah law Frida Ghitis: A surprise for Obama in the Middle East Nov, 3, 2008 Jonathan Rosenblum: Who says Jews are Smart? Jonathan Tobin: Was He Wrong About Everything? Oct. 31, 2008 Rabbi A. Henach Leibowitz: Our Immutable Noble Essence Caroline B. Glick: Running against Bush Oct. 30, 2008 Jonathan Rosenblum: The End of the Special Relationship? Steve Lipman: 'Kid Kosher' Gets A Title Shot Oct. 29, 2008 Binyamin L. Jolkovsky: GET US THE TAPE THE L.A. TIMES REFUSES TO RELEASE, AND WE'LL GIVE YOU CASH! Dr. Ari Korenblit: Making The Write Choice for President Oct. 28, 2008 Mona Charen: Denial runs through American Jewry Frank J. Gaffney, Jr.: Sell-off to capitalism or sell-out to Islam? Oct. 27, 2008 The Jewish Ethicist by Rabbi Dr. Asher Meir: Are tax deductions for charitable donations moral? Jonathan Mark: The Mystery Of The Arab-American Vote Oct. 24, 2008 'Why aren't all religious people vegetarians?': Response by Miriam Kosman Caroline B. Glick: Testing Obama's mettle Oct. 23, 2008 Daniel Pipes: Obama Would Fail Security Clearance The Kosher Gourmet by Linda Gassenheimer: A fast chicken dish with an Asian accent Oct. 20, 2008 Gary Rosenblatt: Still One Torah Jonathan Tobin: Government 'Gifts' Are Not Free Oct. 17, 2008 Jonathan Rosenblum: Sukkos and the Great Meltdown Caroline B. Glick: The disappearance of law Oct. 16, 2008 The Jewish Ethicist by Rabbi Dr. Asher Meir: Copying DVDs: RIP OR RIPOFF? Cal Thomas: Blaming the Jews (again) March 22, 2007 J-Rhythms with Avraham Rosenblum: JWR's cutting-edge music program showcasing performers -- singers, song writers, musicians, and bands -- who learn and live the Torah lifestyle (OUR NEWEST IGODCAST !) Oct. 29, 2003 Mortimer B. Zuckerman: Graffiti On History's Walls (MUST-READ!)

Jewish World Review June 27, 2007 / 11 Tamuz, 5767 ‘A Mighty Heart’ gives a free pass to terror By Youssef M. Ibrahim Film is unlikely to be either a commercial success or a winner of prizes, but one should linger over the harm that it could still do http://www.JewishWorldReview.com | America's movie industry is a potent weapon of global reach that has shaped the world's imagination for generations. In that sense, "A Mighty Heart," the movie that pretends to tell the story of Wall Street Journal reporter Daniel Pearl, who was kidnapped and beheaded in 2002 by Islamic jihadists in Pakistan, ranks as a travesty. Pearl's story is a real-life yarn of multiple dimensions that, at its most grandiose, could have been spun as the tale of a great clash, a sort of collision between Nazi-like value systems and basic American ones — in the story of a working journalist on the chaotic streets of Pakistan. It could have been treated as the story of a man who grew up believing in something — an American raised by liberal Jewish parents to accept everyone's beliefs — only to be killed in a far-away land by nihilists who believed in nothing. It could also have been a sideways profile of the American press — which, for all its foibles, has introduced the world to the notions of freedom of expression and democracy. It is also the story of many Muslim countries, an oft-enacted tale of how failed values pry open a Pandora's box filled with violence and terror. On its simplest levels, it could have been about suspense, intrigue, and treachery in the dark realms of Islam, the alleyways filled with preachers and terrorists, and how they all intersected when a sword was raised over the neck of a bound, kneeling American reporter. The movie fails on all these counts and more. I am not one to believe American movies must be propaganda, for that indeed would doom them. As an avid fan of cinema, like billions of other people around the world, I believe they should simply be good and, in the face of such an obvious evil, be there. My strongest reservation in "A Mighty Heart" is the absurd political correctness that permeates the film; its writers, producers, and directors do not even mention fanatical Islam to avoid offering offense. The real story of Daniel Pearl offered a sinister, flavorful, meaty set of scenarios — and core values — that ought to be examined by the mightiest, most skilled, and best movie industry on Earth. Instead, they fashioned it into an exercise in sterility. Because it won't touch on the real context of Pearl's deadly adventure, the film turns into merely an acting vehicle for its star, Angelina Jolie, and her producer-companion, Brad Pitt. This sort of reality, the clash of civilizations between the West and Islam, cannot be reduced to that. Acting for its own sake is hollowness. Even the entirely fictitious "Casablanca," an all-time classic love story, worked within the context of the threat of Nazi fascism and the need to fight against it. "A Mighty Heart" is unlikely to be either a commercial success or a winner of prizes, but one should linger over the harm that it could still do. While the movie is gutted by the absence of Pearl, who is airbrushed away to make room for his spouse and eventual widow, most of all, it suffers from pretending to be just another story in just another place. Its settings are not on the moon. Pakistan is an exporter of terrorism. The government of that country is another Muslim enterprise pretending to be a Western ally, just like Egypt, Iraq, Saudi Arabia, and many others. That is why Pearl went there and why he was kidnapped and murdered. If I were a Muslim who had just watched "A Mighty Heart" in a theater in Dearborn, Mich., Karachi, or Cairo, the only impressions that I would probably be left with is that the man got what he deserved and that Karachi is really one hell of a messy place. Beyond that, I would not have a clue that my Muslim compatriots had anything to do with it. The movie could have saved itself if, at the start, it had shown the killer, Khalid Sheikh Mohammed — who is portrayed in the movie as merely a skilled and handsome plotter — boasting, "I decapitated with my blessed right hand the head of the American Jew, Daniel Pearl, in the city of Karachi, Pakistan." Ms. Jolie could have taken it from there. Every weekday JewishWorldReview.com publishes what many in Washington and in the media consider "must reading." Sign up for the daily JWR update. It's free. Just click here. Comment by clicking here. Youssef M. Ibrahim, a former New York Times Middle East Correspondent and Wall Street Journal Energy Editor for 25 years, is a freelance writer based in New York City and Dubai in the United Arab Emirates and a contributing editor of the NY Sun. © 2007, Youssef M. Ibrahim