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Menachem Wecker: Though Controversial, LL.M.'s Can Lead to Specialized Legal Jobs
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Mark Clayton: How did Anonymous hackers eavesdrop on FBI and Scotland Yard?
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Edmund Sanders : Israeli official says Iran is creating missile that could reach East Coast of US
Victoria Kim: Immigrant-smuggling ring used black drivers to avoid racial profiling
February 2, 2012
Jim Carney: Wrong number call may have saved her life
Reza Kahlili : Ex-CIA spy in Iran's Revolutionary Guard: What Obama doesn't grasp about striking deals with Tehran
Tina Susman: For woodchuck rescuer, every day is Groundhog Day
February 1, 2012
Brian Bennett: US officials see increasing threat of domestic attack from Iran
Emily Brandon: How to Take Advantage of New 401(k) Fee Disclosures
January 31, 2012
January 30, 2012
Paul Richter and Ramin Mostaghim: Misreading Teheran's limits -- deadly and economically devastating as they may be -- is a risk administration, Europe seem willing to take
Suzanne Bohan: Warning: Nap-deprived tots missing more than sleep, study finds
Meg Handley: Banks Revamping Rewards Programs to Woo Customers
January 27, 2012
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Yochonon Donn: In liberal New York City, fervently-Orthodox Jews may soon be getting a district to call their own
Jeannine Stein: An inflated ego and thinking you're 'all that' doesn't just make others sick of you, it can make you ill
Katy Hopkins: New budget rules may affect how much money you get for college
January 26, 2012
Ed Koch: To the New York Times, calling for the murder of Jews by those capable of having their incitement taken seriously isn't news
Jeannine Stein: Mental illness struck one in five U.S. adults in 2010: Report
January 25, 2012
Richard Simon: House passes two bills endorsing the use of religious symbols at military memorials
Fred Weir: Putin: Multiethnic Russia cannot survive as a US-style 'melting pot'; must find its own way
Susan Johnston: 5 Sneaky Coupon Strategies Consumers Should Watch Out For
January 24, 2012
Carol Clark: The price of your soul: How your brain decides whether to 'sell out'
Caroline B. Glick: America lost most in 'Arab Spring'. Sadly, many voters still don't grasp the extent
Warren Richey: Drug criminal scores win in GPS ruling from conservative-leaning high court
Erika Bolstad: Black conservatives gather to talk about gaining strength
January 23, 2012
Melissa Dribben: Jewish voters to play a key role in Florida's Republican primary
Jordan Rau: In quest to grow, Catholic hospital system will announce this morning its break from church
Ali Safi: U.S. envoy gives Taliban terms for peace talks
January 19, 2012
January 18, 2012
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Frank J. Gaffney Jr.: No-kidding red lines: U.S. response to an Iranian nuke may be bluster, but Israel's won't be
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Warren Richey: Landmark Supreme Court ruling a 'resounding win' for religious groups
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Katy Hopkins : Consider This Before You Pay for an Online Degree
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David G. Savage: High court signals it won't be loosening TV's 'indecency' rules
Stephen Ceasar: Oklahoma's Islamic law amendment can't go into effect, court rules
January 10, 2012
Reza Kahlili: From an ex-CIA spy: US must exploit new split in Iran's Revolutionary Guard
Karen Kaplan: Study: Nicotine replacement products ineffective when used in real-life situations
January 9, 2012
Michael Doyle: Put through legal hell over dream home, couple fought back hard --- all the way to Supreme Court
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Jewish World Review
Jan. 21, 2005
/ 11 Shevat, 5765
A Head of His Time: Exploring the commodious nature of art
By
Gene Weingarten
http://www.JewishWorldReview.com |
Hundreds of art experts decided in a recent poll that the single most influential work of the 20th century was . . . a urinal. Specifically it was the urinal that French artist Marcel Duchamp submitted to an art exhibition in 1917. It proved to be the pees de resistance.
Ha-ha. Actually, the curators of the show were so appalled they did not even exhibit Duchamp's entry. This touched off a furor in the art world. Like all furors in the art world — art-world furors occur rougly twice a century, often coinciding with disappointing years for chablis — this was about The Meaning of Art. You would think that after 600 years or so, the art world would have figured out The Meaning of Art. Imagine if, in the automotive world, the car companies hadn't yet figured out what a car was. One year, they would turn out blimps, another year, dogsleds, etc. The Indy 500 would be a hoot.
However, the art world is different. It is forever reexamining itself, like a hypochondriac searching for moles. And, in 1917, Duchamp's urinal is said to have relieved (har) art of one of its biggest burdens: the need to produce art.
Essentially, Duchamp's urinal, which he titled "Fountain," signaled the birth of conceptual art. Art was no longer defined so much by the product but by the idea behind the product, even the mere audacity of declaring it to be art.
If not for Duchamp, we probably would not have had the opportunity to enjoy the art of that guy who sliced a pig in half, or the guy who canned his own poo, or the guy who had himself crucified onto a Volkswagen Beetle. Now, you may think that this has been a bad development, art-wise. I don't. The reason I don't is that it theoretically opens up the entire field of art to people without actual skills — some guy like me, for example, who draws a horse like this (DRAWING OF A HORSE) but who fancies himself Creative.
I decided to pull a Duchamp — create a portfolio of Intriguing Conceptual Art, and submit it to a genuine expert.
Here is my portfolio:
•Build an art museum in the shape of a urinal.
• Build a urinal in the shape of an art museum.
• Exhibit a Venus flytrap that was raised entirely on meat from a pig that had been raised on meat from a bear that was killed after eating a human.
•Turn on an ambulance siren in a small, glass-windowed room. Also in the room are a half-dozen deaf people, who play cards, read books, etc., oblivious to the 120-decibel noise.
•Place hundreds of smiley face buttons, Beanie Babies and My Little Pony products into a coffin.
•Create two locked boxes, each containing the other's key. Then throw them both into the deepest part of the Pacific Ocean.
•Obtain an enormous observatory telescope, capable of distinguishing 5-foot-wide craters on Mars. Then position it so it is permanently focused on the "woman" symbol on a bathroom door in the museum.
•Build a realistic, Old-West-style scaffold from which you hang — with its head through the noose — a giant Tootsie Roll Pop.
• Stuff a punching bag with $30,000 Faberge eggs, and hang it from the gallery ceiling at eye level. Before viewers are permitted to look at it, they must put on boxing gloves.
•Exhibit a TV set that is continuously playing some of the greatest dramas in history: Olivier's "Hamlet," "Schindler's List," "Casablanca," etc. Overlaid on each, however, is a laugh track lifted from old "Leave It to Beaver" episodes.
•Steal the Mona Lisa from the Louvre, and destroy it with hole-punchers, toenail clippers and a red-hot cigarette lighter from a car. Then place the vandalized masterpiece, frame and all, inside a larger frame, and exhibit it.
I read these ideas to Jonathan P. Binstock, curator of contemporary art at the Corcoran Gallery of Art. What did he think? Were they any good?
He wouldn't exactly commit. But he did talk for 25 minutes, and said this:
"The interesting question is not what can be a work of art. The interesting question is why you want to do it."
Also: "There's something true about your effort."
Also: "Cynicism is one of the default positions in art."
Also: "One of the great post-Duchampian artists is Maurizio Catalan. He's a smartass, too."
Every weekday JewishWorldReview.com publishes what many in Washington and the media consider "must-reading". Sign up for the daily JWR update. It's free. Just click here.
Gene Weingarten writes the Below the Beltway humor column for The Washington Post. To comment, please click here.
01/11/05: You can't buy this kind of PR ... But then, you wouldn't want to
© 2005 WPWG
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